Week 502: “O Come, O Come Emmanuel” by Sarah Spring

I’ve featured a fair bit of Christmas music over the years, and I’ve tried to steer clear of the most ubiquitous, big-name holiday songs in favour of some hidden, or forgotten, yuletide gems. This Wednesday marks this blog’s tenth Christmas, and while I fully admit that Christmas music isn’t for everyone, I’d like to do my part to help even the least jolly person find their own December anthem.

So I’ve done what any nerd would do. I made a flow chart to help you find your way to a Christmas song from this blog. See you at the bottom.

Do you like Christmas?
Do you like Christmas?
No
No
“Little Girl Blue” by Nina Simone
(Week 32)
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Yes
Yes
How often do you go to church?
How often do you go to church?
Rarely
Rarely
Would you go more often if the music was performed by adorable hipsters?
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No
No
Yes
Yes
“Carol of the Bells” by The Bird and the Bee (Week 448)
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Never
Never
What’s the best thing about Christmas?
What’s the best thing about Christmas?
Snow
Snow
When is the best time to go for a walk in the snow?
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Day
Day
“Snowfall” by Doris Day (Week 293)
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Night
Night
“Let It Snow” by Filous (Week 344)
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An indefinable feeling of goodness and hope for human kind
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Do you like jazz?
Do you like jazz?
Yes
Yes
Vocal or instrumental?
Vocal or instrumental?
Vocal
Vocal
Instrumental
Instrumental
Do you prefer piano or brass?
Do you prefer piano or brass?
Piano
Piano
Do you say “good grief” when you get frustrated?
Do you say “good grief” when you get frustrated?
Of course not.
Of course not.
“O Come, O Come Emmanuel” by Sarah Spring (Week 502)
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Yes
Yes
“Skating” by Vince Guaraldi (Week 189)
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Brass
Brass
“A Nearer Sun” by The Westerlies (Week 398)
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No
No
“Christmas Song” by Mogwai (Week 137)
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Decorations
Decorations
“Underneath the Christmas Lights” by Sia (Week 449)
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Frequently
Frequently
“Nuit” by Marc-Antoine Charpentier (Week 345)
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If you ended up at that last box, your current Christmas mood is in line with my own. Sarah Spring‘s approach on this song is similar to what Ben Laver did on a track I featured last Christmas – she takes a seasonal classic and preserves its core while giving it her own quirky, eccentric twist.

What makes this a beautiful song:

1. The no-nonsense production. There’s no magic holiday reverb or layers of effects; she could pretty much be playing this on a piano in your living room.

2. The way the melody pushes, falling a sixteenth note ahead of each beat, like someone trying to balance three glasses of eggnog they’ve just poured for their guests.

3. The brief diversion at about 1.20, during which the piece follows a quick flow chart of chord changes before coming back to where it started.

Recommended listening activity:

Hiding a gift you just bought for someone in your family.

Buy it here.